BillMonk.com

Back to isnochys's Public Library

B00000634x Something For Everybody: Baz Luhrmann
Audio CD ~ Music
$14.99 at Amazon


Artists: Various Artists
Label: Capitol
Categories: Club/Dance; Dance; Dance Music; Pop; Popular Music
Media: Audio CD
Release date: 31 March, 1998
Amazon rating: 4.0
Tracks:
  1. Bazmark Fanfare - Baz Luhrman
  2. Young Hearts Run Free (The Overture Mix) - Kim Mazelle
  3. Loverfool (Snooper Version) - Snooper
  4. Perhaps Perhaps Perhaps - Doris Day
  5. Everybody's Free (To Wear Sunscreen) Mix - Quindon Tarver
  6. Che Gelida Manina (Your Tiny Hand Is Frozen) - David Hobson
  7. When Doves Cry (Extended Mix) - Quindon Tarver
  8. Love Is In The Air (Fran Mix) - John Paul Young
  9. Nutbod (Houseboats Of Kashmir Mix) - Christine Anu/Royce Doherty
  10. Happy Feet (High Heels Mix) - Jack Hylton
  11. Angel (7in MIx) - Gavin Friday
  12. Os Quindos De Ya Ya - Stanley Black
  13. Aquarius/Let The Sunshine In - Helana
  14. Time After Time (The S.F.E. Version) - Tara Morice
  15. I'm Losing You - Lani
  16. Now Until The End Of The Day (Single Version) - Christine Anu/David Hobson/Royce Doherty
  17. Jupiter (From The Planets) - The London Symphony Orchestra

One of the most surreal singles in memory, "Everybody's Free (To Wear Sunscreen)" has an even stranger story than you'd imagine: in 1998, a student lifted the text of an article columnist Mary Schmich had written for the Chicago Tribune and started sending it around the world, crediting it as a commencement speech given at MIT by Kurt Vonnegut. Film director Baz Luhrmann (who had taken a big part in designing the soundscapes of his films Strictly Ballroom and William Shakespeare's Romeo and Juliet) got his hands on it just as he was working on a remix of Rozalla's 1992 dance hit "Everybody's Free (To Feel Good)." Within a day, Luhrmann had hired a local actor to read the text, and a single was born. It's a wonderfully surreal pop-cultural moment on an album that strives for such things. Luhrmann's modus operandi involves the remixing and customizing of tracks until they have a fabulous sheen, and it owes a lot to the equally media-attuned Malcolm McLaren (and especially to McLaren's 1989 album Waltz Darling). Though he throws in a handful of time-tested songs (Doris Day's "Perhaps Perhaps Perhaps," La Bohème's "Che Gelide Manina"), Something for Everybody is very much of a specific moment--and though the moment may pass, fans will enjoy revisiting it time and again. --Randy Silver